噪音流行 Noise Pop

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曲風介紹

作為另類/獨立搖滾的一個分支,Noise Pop顧名思義就是有一些吉他回饋、音調不諧和聲音磨損包裝風格的流行音樂。它占據了介于Bubblegum(泡泡糖搖滾舞曲)和Avant-Garde(前衛音樂)的中點,是傳統流行樂創作手法和略富攻擊性的白色噪音(White Noise:用以掩蓋令人心煩的雜音)的碰撞結果。當Noise Pop的旋律飄忽于渦旋吉他所營造的聲場中時,其音樂經常會給人一種朦朧、麻醉和催眠的感覺,當然Noise Pop可以是歡快活潑的,也可以是棱角分明、富有挑戰性的。最早期的Noise Pop植根于the Velvet Underground的諸如回饋、失真等音樂實驗,然而更被公眾認同的Noise Pop起源樂隊是美國另類搖滾樂隊Sonic Youth和Dinosaur Jr.,是他們將搖滾樂構架與粗重的吉他失真融合在了一起。第一支正規意義上的Noise Pop樂隊則是the Jesus & Mary Chain,它以1986年的首張唱片Psychocandy崛起于地下,幾乎同一時期還誕生了可以說是最多產和最具生命力的Noise Pop樂隊Yo La Tengo,其首張專輯也于此時推出。在80年代末,Noise Pop引發了英倫的Shoegazing(自賞)運動,自賞音樂更加內省,其旋律更加脆弱。在90年代,Noise Pop仍繼續對Indie Rock產生著重要的影響。Noise Pop is a vague term used to describe a wide range of bands who use the feedback and distortion of Noise in a Pop context. Although the two often overlap each other, Noise Pop is generally considered more accessible than Noise Rock. The genre commonly features more melodic singing and vocal-based harmonies. In keeping with the loose theme of accessibilty, the structures and presentation of the songs are often less experimental. The genre came into its own in the mid-80s following the Post-Punk boom, with bands like The Jesus and Mary Chain, My Bloody Valentine, Pixies, and Pavement defining its sound.

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9.2
2011.02.15
9.1
2012.09.11

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